Second year Bachelor's student Alex Colcheedas was initially studying in the U.S. on a soccer scholarship when back-to-back injuries made him rethink his future. He then returned to Australia and began to follow his dreams of becoming a professional photographer. Read about why adventure ignites his passion for photography, how he already has a job lined up for when he graduates and where one of his favourite places on earth is to photograph.
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Martika Shakoor, PSC Advanced Diploma student, talks about her experience with the PSC/Amnesty International Australia Photographers Network. She is a second-generation Afghan who is specialising in photojournalism and documentary photography. Along with her keen interest in human rights, she was an ideal candidate to be trained by Amnesty International as a volunteer photographer, given photographic briefs and accompany active campaigners to document events. Continuing this year, this initiative aims to provide PSC students with new opportunities to gain experience as working photographers and extend their network.
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This month Photography Studies College is abuzz with many students and graduates posting about their recent accolades from Capture Magazine's Australia's Top Emerging Photographers list. In the Student Category one of our first year's won the top award (and her image graced the cover), and two more students were listed in the Top 10. A PSC graduate made the top 20 in the Portraits Category, and a PSC tutor who is also a past graduate took out 9th place in the Art Category. And many others have been Highly Commended in various categories of photography. We talk to a few of these rising stars about their award-winning work – and along the way discover why PSC students have an edge of others.
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World renowned Dutch expert of photography and the photographic book, Corinne Noordenbos, has landed on our shores. For more than three decades, she has drastically impacted the development of photography internationally. Photography Studies College Course Director Daniel Boetker-Smith spoke with her about mentoring her now famous students, her career highlights and visiting Australia for the first time.
Photo: Louise Kennerley for The Sydney Morning Herald
Meet Steph Doran, our wonderful Japanese based, Australian Photography guide. Steph is a successful Commercial Photographer, fluent in the Japanese language and culture. She is a passionate advocate for empowering people with the skills and knowledge to create beautiful imagery with their cameras. Steph will be accompanying us on our Discover Japan Tour this September, here she gives us a perspective of life in Japan.
What are your favourite thing to do on the weekend or in the evenings in Japan?
I'm glad you started with an easy question- my absolute favourite thing is to go to izakaya with my friends. An izakaya is a kind of Japanese pub, but it's nothing like the pubs we have back in Australia, and the experience is completely different. Back home, I never really liked "going out" or drinking, but going to an izakaya has become one of my favourite ways to unwind. The reason is, you are really there for the atmosphere, and the focus isn't just on alcohol. At an izakaya, of course you can enjoy a drink, but it's also a prime place to sample a variety of small dishes, both traditional and sometimes very modern (and let's be honest, the real reason I go there is to eat!) My flatmate and I love exploring back-street izakaya, especially if we can stumble across tiny hole-in-the-wall type places. Izakaya are best visited in the evening, so if it's still daytime, I love finding some nature and just getting out of the city for a while.
The Chilean piper played patiently while we waited for the light to be in the right place. I had allowed an extra day on this assignment to research the location and determine the best time to make the image.
I arrived a lot earlier than I needed too, a habit I acquired early in my career from watching other photographers at work. As a young man I assisted a National Geographic Photographer on a project. He asked me to get to the location early in the morning and I thought I had but he was already at there when I arrived, planning and preparing. By the time the talent arrived and the sun was rising, the photographer had everything in place and was ready to shoot the image.
This weekend saw the conclusion of the World Press Photo Awards 2018 held on 13-14 April at Westergasfabriek in Amsterdam.
The winning image of ‘the burning man’ (above) taken by Ronaldo Schemidt from Venezuela as part of a series of images documenting the Venezuela Crisis of 2017 was a popular choice. Ronaldo, who works for Agence France-Presse, is based in Mexico. During his presentation and panel discussion at WPP with his fellow Venezuela based AFP photographer Juan Barreto, he presented images of the lead up to the events documented in his winning image, and spoke of the risks to the photographer placed in an undeclared ‘civil war’. The victim suffered 70% burns to his body and remains alive and hidden in his home country.